Tag Archives: film

A Small Glimpse into Bowie’s Legacy

8 Jan

major tomLike an asteroid crashing to Earth, David Bowie’s impact was immense. He was an inimitable artist and a true spaceman from the future, whose powerful lust for life set fire to the music, film and fashion industries. His eccentric lifestyle and his creative output served as inspiration for millions.

With his death a month ago, it’s an appropriate time to acknowledge all the ways his genius remains reflected in the work of artists living and working now. Where can we see traces of Bowie today?

Music

It was Bowie’s music which first catapulted him to fame. He dipped his stylish toes in almost every genre, experimenting at an early age with the saxophone before moving on to pop and ‘glam’ sounds. As his career progressed, he would move to work with artists as diverse as John Lennon, Klaus Nomi, Trent Reznor and Giorgio Moroder, all the while pushing himself towards continual reinvention.

ziggyToday’s artists who live to provoke – Marilyn Manson, Lady Gaga, even Kanye West – have credited him as one of their most important inspirations. As an avant-garde musical artist who managed to break through to the mainstream, his influence is unparalleled. Who else could ever rival his theatricality onstage, or repeat the impact of his look, his costumes?

Madonna, another impactful performer, was personally devastated and noted that a David Bowie concert was the first show she ever went to. The singer took to Twitter to say, “This great artist changed my life!” She wasn’t alone, as Bowie tributes from musicians will likely continue throughout the year in all manner of incarnations.

Film

In contemporary cinema Bowie’s performances still stand strong. During his life, both the music videos and films he worked on were natural extensions of his other artistic ventures. Whether playing a vampire cellist or prisoner of war, a Goblin King or Pontius Pilate, Bowie’s own eccentricities brought a certain cult quality to mainstream movies.

Tilda Swinton, androgynously sexy in her own way, has been called Bowie’s ‘doppelganger’ over the years (the two did star in a music video together), and embodies similar shape-shifting personae in her work.

crucifixBowie’s tastes for out-there trends and contemporary art, as well as cultural elements and characteristics that would help define him as “alien” or otherworldly, enabled his transcendence of creative boundaries. Today his films are typically defined as cult classics – click here for local listings – but this does little to reflect the variance and intelligence found in his film work. In roles where he plays himself, such as Christiane F. – Wir Kinder vom Bahnhof Zoo Bowie’s presence serves to bring a certain atmosphere to the picture. He is art intellectualized, but not coldly so, since as the artifice of himself, he opens up a world of new possibilities.

This year’s Berlin Film Festival will be paying tribute to Bowie’s creativity across disciplines, showing Nicolas Roeg’s The Man Who Fell to Earth to commemorate both his legacy and time spent in the city.

Fashion

David Bowie was confident in anything he did, but especially so in his fashion and costume choices. Despite being thin and white himself, he was larger-than-life in the way he presented the characters he chose to inhabit. He pioneered the look of “glam rock” with his flamboyant, Japanese-inspired ensembles and makeup, pushing gender-bending boundaries. His fearlessness and androgyny were extremely inspiring, especially in a time where being overtly feminine, for a male, was not a good thing. His “out-there”, “be yourself” vibes connected with men and women of the era who looked to him for ideas as to how to transform their own appearances to better fit who they were on the inside.

red shirtUpon his passing, hundreds of “fashion world” elites took to social media to comment on the influence Bowie had personally on their lives and art. Nowadays, looking at runway trends, his gender fluidity has clearly led to a sea change not only in clothing and style but in the way everyday people are allowed to express themselves.

In the end, David Bowie’s bold and eclectic style paved the way for artists and fans, inspiring them to be themselves and look beyond the norm to the stars. As the saying goes: shoot for the moon and even if you miss, you’ll still land among the stars, perhaps next to Mr. David Bowie himself.

 ~~~

Beth_KellyBeth Michelle is a Chicago-based blogger with a nasty film addiction. Her primary interests include pulp cinema, fashion photography and vintage Japanese film cameras.

 

 

Ingmar Bergman (b. July 14): “Film goes directly to our feelings, down into the dark rooms of our souls.”

14 Jul

bergman

“Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.”

~ Ingmar Bergman, b. 14 July 1918

http://www.pinterest.com/pin/39406565464471570/

 

A Small Glimpse into Bowie’s Legacy

8 Jan

major tomLike an asteroid crashing to Earth, David Bowie’s impact was immense. He was an inimitable artist and a true spaceman from the future, whose powerful lust for life set fire to the music, film and fashion industries. His eccentric lifestyle and his creative output served as inspiration for millions.

With his death a month ago, it’s an appropriate time to acknowledge all the ways his genius remains reflected in the work of artists living and working now. Where can we see traces of Bowie today?

Music

It was Bowie’s music which first catapulted him to fame. He dipped his stylish toes in almost every genre, experimenting at an early age with the saxophone before moving on to pop and ‘glam’ sounds. As his career progressed, he would move to work with artists as diverse as John Lennon, Klaus Nomi, Trent Reznor and Giorgio Moroder, all the while pushing himself towards continual reinvention.

ziggyToday’s artists who live to provoke – Marilyn Manson, Lady Gaga, even Kanye West – have credited him as one of their most important inspirations. As an avant-garde musical artist who managed to break through to the mainstream, his influence is unparalleled. Who else could ever rival his theatricality onstage, or repeat the impact of his look, his costumes?

Madonna, another impactful performer, was personally devastated and noted that a David Bowie concert was the first show she ever went to. The singer took to Twitter to say, “This great artist changed my life!” She wasn’t alone, as Bowie tributes from musicians will likely continue throughout the year in all manner of incarnations.

Film

In contemporary cinema Bowie’s performances still stand strong. During his life, both the music videos and films he worked on were natural extensions of his other artistic ventures. Whether playing a vampire cellist or prisoner of war, a Goblin King or Pontius Pilate, Bowie’s own eccentricities brought a certain cult quality to mainstream movies.

Tilda Swinton, androgynously sexy in her own way, has been called Bowie’s ‘doppelganger’ over the years (the two did star in a music video together), and embodies similar shape-shifting personae in her work.

crucifixBowie’s tastes for out-there trends and contemporary art, as well as cultural elements and characteristics that would help define him as “alien” or otherworldly, enabled his transcendence of creative boundaries. Today his films are typically defined as cult classics – click here for local listings – but this does little to reflect the variance and intelligence found in his film work. In roles where he plays himself, such as Christiane F. – Wir Kinder vom Bahnhof Zoo Bowie’s presence serves to bring a certain atmosphere to the picture. He is art intellectualized, but not coldly so, since as the artifice of himself, he opens up a world of new possibilities.

This year’s Berlin Film Festival will be paying tribute to Bowie’s creativity across disciplines, showing Nicolas Roeg’s The Man Who Fell to Earth to commemorate both his legacy and time spent in the city.

Fashion

David Bowie was confident in anything he did, but especially so in his fashion and costume choices. Despite being thin and white himself, he was larger-than-life in the way he presented the characters he chose to inhabit. He pioneered the look of “glam rock” with his flamboyant, Japanese-inspired ensembles and makeup, pushing gender-bending boundaries. His fearlessness and androgyny were extremely inspiring, especially in a time where being overtly feminine, for a male, was not a good thing. His “out-there”, “be yourself” vibes connected with men and women of the era who looked to him for ideas as to how to transform their own appearances to better fit who they were on the inside.

red shirtUpon his passing, hundreds of “fashion world” elites took to social media to comment on the influence Bowie had personally on their lives and art. Nowadays, looking at runway trends, his gender fluidity has clearly led to a sea change not only in clothing and style but in the way everyday people are allowed to express themselves.

In the end, David Bowie’s bold and eclectic style paved the way for artists and fans, inspiring them to be themselves and look beyond the norm to the stars. As the saying goes: shoot for the moon and even if you miss, you’ll still land among the stars, perhaps next to Mr. David Bowie himself.

 ~~~

Beth_KellyBeth Michelle is a Chicago-based blogger with a nasty film addiction. Her primary interests include pulp cinema, fashion photography and vintage Japanese film cameras.

 

 

Ingmar Bergman (b. July 14): “Film goes directly to our feelings, down into the dark rooms of our souls.”

14 Jul

bergman

“Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.”

~ Ingmar Bergman, b. 14 July 1918

http://www.pinterest.com/pin/39406565464471570/

 

A Small Glimpse into Bowie’s Legacy

14 Feb

major tomLike an asteroid crashing to Earth, David Bowie’s impact was immense. He was an inimitable artist and a true spaceman from the future, whose powerful lust for life set fire to the music, film and fashion industries. His eccentric lifestyle and his creative output served as inspiration for millions.

With his death a month ago, it’s an appropriate time to acknowledge all the ways his genius remains reflected in the work of artists living and working now. Where can we see traces of Bowie today?

Music

It was Bowie’s music which first catapulted him to fame. He dipped his stylish toes in almost every genre, experimenting at an early age with the saxophone before moving on to pop and ‘glam’ sounds. As his career progressed, he would move to work with artists as diverse as John Lennon, Klaus Nomi, Trent Reznor and Giorgio Moroder, all the while pushing himself towards continual reinvention.

ziggyToday’s artists who live to provoke – Marilyn Manson, Lady Gaga, even Kanye West – have credited him as one of their most important inspirations. As an avant-garde musical artist who managed to break through to the mainstream, his influence is unparalleled. Who else could ever rival his theatricality onstage, or repeat the impact of his look, his costumes?

Madonna, another impactful performer, was personally devastated and noted that a David Bowie concert was the first show she ever went to. The singer took to Twitter to say, “This great artist changed my life!” She wasn’t alone, as Bowie tributes from musicians will likely continue throughout the year in all manner of incarnations.

Film

In contemporary cinema Bowie’s performances still stand strong. During his life, both the music videos and films he worked on were natural extensions of his other artistic ventures. Whether playing a vampire cellist or prisoner of war, a Goblin King or Pontius Pilate, Bowie’s own eccentricities brought a certain cult quality to mainstream movies.

Tilda Swinton, androgynously sexy in her own way, has been called Bowie’s ‘doppelganger’ over the years (the two did star in a music video together), and embodies similar shape-shifting personae in her work.

crucifixBowie’s tastes for out-there trends and contemporary art, as well as cultural elements and characteristics that would help define him as “alien” or otherworldly, enabled his transcendence of creative boundaries. Today his films are typically defined as cult classics – click here for local listings – but this does little to reflect the variance and intelligence found in his film work. In roles where he plays himself, such as Christiane F. – Wir Kinder vom Bahnhof Zoo Bowie’s presence serves to bring a certain atmosphere to the picture. He is art intellectualized, but not coldly so, since as the artifice of himself, he opens up a world of new possibilities.

This year’s Berlin Film Festival will be paying tribute to Bowie’s creativity across disciplines, showing Nicolas Roeg’s The Man Who Fell to Earth to commemorate both his legacy and time spent in the city.

Fashion

David Bowie was confident in anything he did, but especially so in his fashion and costume choices. Despite being thin and white himself, he was larger-than-life in the way he presented the characters he chose to inhabit. He pioneered the look of “glam rock” with his flamboyant, Japanese-inspired ensembles and makeup, pushing gender-bending boundaries. His fearlessness and androgyny were extremely inspiring, especially in a time where being overtly feminine, for a male, was not a good thing. His “out-there”, “be yourself” vibes connected with men and women of the era who looked to him for ideas as to how to transform their own appearances to better fit who they were on the inside.

red shirtUpon his passing, hundreds of “fashion world” elites took to social media to comment on the influence Bowie had personally on their lives and art. Nowadays, looking at runway trends, his gender fluidity has clearly led to a sea change not only in clothing and style but in the way everyday people are allowed to express themselves.

In the end, David Bowie’s bold and eclectic style paved the way for artists and fans, inspiring them to be themselves and look beyond the norm to the stars. As the saying goes: shoot for the moon and even if you miss, you’ll still land among the stars, perhaps next to Mr. David Bowie himself.

 ~~~

Beth_KellyBeth Michelle is a Chicago-based blogger with a nasty film addiction. Her primary interests include pulp cinema, fashion photography and vintage Japanese film cameras.

 

 

Clive Barker: visualizing the future of horror

3 Dec

Guest post: Chicago cinéaste Beth Michelle

clive-barkerIn the horror genre, there are only a few stand-alone names – talented artists recognized by both their contemporaries and the public as undisputed masters of their craft. Among these masters, the author, illustrator and film director Clive Barker still stands alone.

Praised by Stephen King to be the “future of horror” following the release of his first major novel, Barker has the distinct ability to bring forth multidimensional, phantasmagoric horror plots from the mere kernel of a thought. Though he gives credit to a number of others for inspiration, H.P. Lovecraft and his races of demons or monsters for one, Barker has redefined the genre for himself.

hellraiser_4In 1987, Barker directed Hellraiser, a film based upon his novella The Hellbound Heart. For its time, Hellraiser is considered far grittier and gorier than its contemporaries. The story line focuses on a man who escapes from Hell and uses his sister-in-law in a hellish sexual manipulation to regain his physical form. This film demonstrated the lengths that Barker was willing to go for a story. The sexual and demonic components are beyond what most filmmakers generally cover. Artistically as well, this film stands out. The film techniques, as well as the costuming aspects, created a deliberately gritty and dark effect.

nightbreedNightbreed, released in 1990, is based upon Barker’s novella Cabal. Delving into the mind of mental patient Aaron Boone who is manipulated by his doctor (played by the inimitable David Cronenburg) to believe he is a serial killer, it features an impressive cast of creepy characters. After escaping from a mental institution, Boone finds refuge in a cemetery called Midian among a group of “Nightbreed” monsters and other assorted mutants hiding from the public. This film embraces the concept of the “anti-hero,” where the monsters and other creatures are really the ones being terrorized by everyday “normal” people.

candy-manTwo years later, Barker again saw another of his literary works re-interpreted for film. Staying away from the director’s chair this time, Candyman is based upon his short story The Forbidden. The ‘Candyman’ is an urban legend, and details surrounding him are fuzzy and easy to disregard until the bodies begin piling up. Thus the question arises: is the Candyman a killer, merely using the urban legend as cover? Or has a belief in the Candyman created the evil independently? If enough people believe in a thing, does that make it real..? Candyman is a remarkably compelling horror film that has aged quite well. Furthermore, it was shot so masterfully, it looks terrific in almost any format, whether you catch it online or on TV (Netflix or Direct TV) or even the recently released special edition DVD.

hellraiser_3For the character of “Pinhead”, and the idea of the Cenobites, a race of demons that Barker introduced in Hellraiser, Barker took inspiration from an unlikely source: Biblical texts. Pinhead is the leader of the Cenobites, essentially a cult leader of the demons, making him appear as a sort of Jesus/Devil hybrid. Barker is not afraid to touch seemingly taboo topics, if such a thing actually exists in the horror genre. He considers the issues of hell, religion, sexuality and social differences as things to be explored rather than feared. Clive Barker not only created his own horrific but brilliant works, he inspired others to follow suit.

~~~~~~~~~

Beth_KellyBeth Michelle is a Chicago-based blogger with a nasty film addiction. Her primary interests include pulp cinema, fashion photography and vintage Japanese film cameras.

Ingmar Bergman (b. July 14): “Film goes directly to our feelings, down into the dark rooms of our souls.”

14 Jul

bergman

“Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.”

~ Ingmar Bergman, b. 14 July 1918

http://www.pinterest.com/pin/39406565464471570/

 

%d bloggers like this: