Tag Archives: april 20

Joan Miro (b. April 20): “I try to apply colors like words that shape poems.”

20 Apr

“I try to apply colors like words that shape poems, like notes that shape music.” ~ Joan Miro, b. 20 April 1893

http://pinterest.com/pin/39406565462039303/

Sebastien Faulks (b. April 20): “Everything I know about structure I learned from classical music.”

20 Apr

faulks

Sebastian Faulks, born 20 April 1953, is a British novelist, journalist, and broadcaster. He is best known for his historical novels including The Girl at the Lion d’Or, Birdsong, and Charlotte Gray. He has also published a James Bond sequel, Devil May Care. He is a team captain on BBC Radio 4 literary quiz The Write Stuff.

Seven quotes on writing:

  1. I start with the theme and setting, then a rough narrative arc including half a dozen big moments, like the supports in a river over which the bridge spans. Then the people are given to you because they’re the ones capable of acting out what’s required of the action to exemplify the theme.
  2. In the period of composition you have to be exceptionally open. Anything might feed in. The trick is in knowing the difference between a disposable thought and a robust idea. You have to live in a rather vulnerable, open state, while at the same time making hard decisions.
  3. The words themselves are the beginning and end. Too many adverbs is a bad sign. Even when the style is apparently plain it is so for a reason. And within plainness there are a hundred choices for each sentence in rhythm and syntax and of course within each word. Think of Hemingway.
  4. Almost everything I know about structure I learned from classical music. Most of what I know about narrative I took from cinema. I also think of oil painting quite a lot, particularly when I am trying to add layers, to thicken the texture.
  5. Real emotion comes from inside the reader. You’re unaware that the author has been trying to make you feel something; in fact, you wonder whether the author is really aware of how sad, funny or inspiring this passage is. Artificial is when you feel your arm being twisted.
  6. When I’m writing a book I work from ten till six every day in a small office near my house. I never write less than a thousand words a day. Writer’s block is God’s way of telling you to shut up. More people should have it…
  7. Write about what you don’t know. Research, invent. Write about people of other ages, sexes, nationalities and periods in history. Then find a book you think is similar to yours. Write to the author care of the publisher and find out who their agent is. Good luck.

 

Sebastien Faulks (b. April 20): “Everything I know about structure I learned from classical music.”

20 Apr

faulks

Sebastian Faulks, born 20 April 1953, is a British novelist, journalist, and broadcaster. He is best known for his historical novels including The Girl at the Lion d’Or, Birdsong, and Charlotte Gray. He has also published a James Bond sequel, Devil May Care. He is a team captain on BBC Radio 4 literary quiz The Write Stuff.

Seven quotes on writing:

  1. I start with the theme and setting, then a rough narrative arc including half a dozen big moments, like the supports in a river over which the bridge spans. Then the people are given to you because they’re the ones capable of acting out what’s required of the action to exemplify the theme.
  2. In the period of composition you have to be exceptionally open. Anything might feed in. The trick is in knowing the difference between a disposable thought and a robust idea. You have to live in a rather vulnerable, open state, while at the same time making hard decisions.
  3. The words themselves are the beginning and end. Too many adverbs is a bad sign. Even when the style is apparently plain it is so for a reason. And within plainness there are a hundred choices for each sentence in rhythm and syntax and of course within each word. Think of Hemingway.
  4. Almost everything I know about structure I learned from classical music. Most of what I know about narrative I took from cinema. I also think of oil painting quite a lot, particularly when I am trying to add layers, to thicken the texture.
  5. Real emotion comes from inside the reader. You’re unaware that the author has been trying to make you feel something; in fact, you wonder whether the author is really aware of how sad, funny or inspiring this passage is. Artificial is when you feel your arm being twisted.
  6. When I’m writing a book I work from ten till six every day in a small office near my house. I never write less than a thousand words a day. Writer’s block is God’s way of telling you to shut up. More people should have it…
  7. Write about what you don’t know. Research, invent. Write about people of other ages, sexes, nationalities and periods in history. Then find a book you think is similar to yours. Write to the author care of the publisher and find out who their agent is. Good luck.

 

Joan Miro (b. April 20): “I try to apply colors like words that shape poems.”

20 Apr

“I try to apply colors like words that shape poems, like notes that shape music.” ~ Joan Miro, b. 20 April 1893

http://pinterest.com/pin/39406565462039303/

Sebastien Faulks (b. April 20): “Everything I know about structure I learned from classical music.”

20 Apr

faulks

Sebastian Faulks, born 20 April 1953, is a British novelist, journalist, and broadcaster. He is best known for his historical novels including The Girl at the Lion d’Or, Birdsong, and Charlotte Gray. He has also published a James Bond sequel, Devil May Care. He is a team captain on BBC Radio 4 literary quiz The Write Stuff.

Seven quotes on writing:

  1. I start with the theme and setting, then a rough narrative arc including half a dozen big moments, like the supports in a river over which the bridge spans. Then the people are given to you because they’re the ones capable of acting out what’s required of the action to exemplify the theme.
  2. In the period of composition you have to be exceptionally open. Anything might feed in. The trick is in knowing the difference between a disposable thought and a robust idea. You have to live in a rather vulnerable, open state, while at the same time making hard decisions.
  3. The words themselves are the beginning and end. Too many adverbs is a bad sign. Even when the style is apparently plain it is so for a reason. And within plainness there are a hundred choices for each sentence in rhythm and syntax and of course within each word. Think of Hemingway.
  4. Almost everything I know about structure I learned from classical music. Most of what I know about narrative I took from cinema. I also think of oil painting quite a lot, particularly when I am trying to add layers, to thicken the texture.
  5. Real emotion comes from inside the reader. You’re unaware that the author has been trying to make you feel something; in fact, you wonder whether the author is really aware of how sad, funny or inspiring this passage is. Artificial is when you feel your arm being twisted.
  6. When I’m writing a book I work from ten till six every day in a small office near my house. I never write less than a thousand words a day. Writer’s block is God’s way of telling you to shut up. More people should have it…
  7. Write about what you don’t know. Research, invent. Write about people of other ages, sexes, nationalities and periods in history. Then find a book you think is similar to yours. Write to the author care of the publisher and find out who their agent is. Good luck.

 

Joan Miro (b. April 20): “I try to apply colors like words that shape poems.”

20 Apr

“I try to apply colors like words that shape poems, like notes that shape music.” ~ Joan Miro, b. 20 April 1893

http://pinterest.com/pin/39406565462039303/

Sebastien Faulks (b. April 20): “Everything I know about structure I learned from classical music.”

20 Apr
faulks

pinterest.com/pin/39406565466031468/

Sebastian Faulks, born 20 April 1953, is a British novelist, journalist, and broadcaster. He is best known for his historical novels including The Girl at the Lion d’Or, Birdsong, and Charlotte Gray. He has also published a James Bond sequel, Devil May Care. He is a team captain on BBC Radio 4 literary quiz The Write Stuff.

Seven quotes on writing:

  1. I start with the theme and setting, then a rough narrative arc including half a dozen big moments, like the supports in a river over which the bridge spans. Then the people are given to you because they’re the ones capable of acting out what’s required of the action to exemplify the theme.
  2. In the period of composition you have to be exceptionally open. Anything might feed in. The trick is in knowing the difference between a disposable thought and a robust idea. You have to live in a rather vulnerable, open state, while at the same time making hard decisions.
  3. The words themselves are the beginning and end. Too many adverbs is a bad sign. Even when the style is apparently plain it is so for a reason. And within plainness there are a hundred choices for each sentence in rhythm and syntax and of course within each word. Think of Hemingway.
  4. Almost everything I know about structure I learned from classical music. Most of what I know about narrative I took from cinema. I also think of oil painting quite a lot, particularly when I am trying to add layers, to thicken the texture.
  5. Real emotion comes from inside the reader. You’re unaware that the author has been trying to make you feel something; in fact, you wonder whether the author is really aware of how sad, funny or inspiring this passage is. Artificial is when you feel your arm being twisted.
  6. When I’m writing a book I work from ten till six every day in a small office near my house. I never write less than a thousand words a day. Writer’s block is God’s way of telling you to shut up. More people should have it…
  7. Write about what you don’t know. Research, invent. Write about people of other ages, sexes, nationalities and periods in history. Then find a book you think is similar to yours. Write to the author care of the publisher and find out who their agent is. Good luck.

 

Sebastien Faulks (b. Apr 20): “Everything I know about structure I learned from classical music.”

20 Apr
faulks

pinterest.com/pin/39406565466031468/

Sebastian Faulks, born 20 April 1953, is a British novelist, journalist, and broadcaster. He is best known for his historical novels including The Girl at the Lion d’Or, Birdsong, and Charlotte Gray. He has also published a James Bond sequel, Devil May Care. He is a team captain on BBC Radio 4 literary quiz The Write Stuff.

Seven quotes on writing:

  1. The words themselves are the beginning and end. Even when the style is apparently plain it is so for a reason. And within plainness there are a hundred choices for each sentence in rhythm and syntax and of course within each word. Think of Hemingway.
  2. Ideally, I start with the theme and setting, then a rough narrative arc including half a dozen big moments which are like the supports in a river over which the bridge spans; then the people are given to you because they are the ones capable of acting out what is required of the action to exemplify the theme.
  3. In the period of composition you have to be exceptionally open. Anything might feed in. The knack is knowing the difference between a disposable thought and a robust idea. You have to live in a rather vulnerable, open state, while at the same time making hard decisions. You are a like a valve that switches between active and passive all the time. This is what takes it out of you a bit.
  4. Almost everything I know about structure I learned from classical music. Most of what I know about narrative I took from cinema. I also think of oil painting quite a lot, particularly when I am trying to add layers, to thicken the texture.
  5. When I am writing a book I work from ten till six every day in a small office near my house. I never write less than a thousand words a day. Writer’s block is God’s way of telling you to shut up. More people should have it…
  6. Real emotion comes from inside the reader. You are unaware that the author has been trying to make you feel something; in fact, you wonder whether the author is really aware of how sad, funny or inspiring this passage is. Artificial is when you feel your arm being twisted. Too many adverbs is a bad sign.
  7. Write about what you DON’T know. Research, invent. Write about people of other ages, sexes, nationalities and periods in history. Then find a book you think is similar to yours. Write to the author care of the publisher and find out who their agent is. Good luck.

 

Joan Miro (b. Apr 20): “I try to apply colors like words that shape poems.”

20 Apr

miro2

“I try to apply colors like words that shape poems, like notes that shape music.” ~ Joan Miro, b. 20 April 1893

http://pinterest.com/pin/39406565462039303/

Joan Miro, b. Apr 20: “I try to apply colors like words that shape poems.”

20 Apr

miro2

“I try to apply colors like words that shape poems, like notes that shape music.” ~ Joan Miro, b. 20 April 1893

http://pinterest.com/pin/39406565462039303/

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