“I try to apply colors like words that shape poems, like notes that shape music.” ~ Joan Miro, b. 20 April 1893
Sebastien Faulks (b. April 20): “Everything I know about structure I learned from classical music.”
20 AprSebastian Faulks, born 20 April 1953, is a British novelist, journalist, and broadcaster. He is best known for his historical novels including The Girl at the Lion d’Or, Birdsong, and Charlotte Gray. He has also published a James Bond sequel, Devil May Care. He is a team captain on BBC Radio 4 literary quiz The Write Stuff.
Seven quotes on writing:
- I start with the theme and setting, then a rough narrative arc including half a dozen big moments, like the supports in a river over which the bridge spans. Then the people are given to you because they’re the ones capable of acting out what’s required of the action to exemplify the theme.
- In the period of composition you have to be exceptionally open. Anything might feed in. The trick is in knowing the difference between a disposable thought and a robust idea. You have to live in a rather vulnerable, open state, while at the same time making hard decisions.
- The words themselves are the beginning and end. Too many adverbs is a bad sign. Even when the style is apparently plain it is so for a reason. And within plainness there are a hundred choices for each sentence in rhythm and syntax and of course within each word. Think of Hemingway.
- Almost everything I know about structure I learned from classical music. Most of what I know about narrative I took from cinema. I also think of oil painting quite a lot, particularly when I am trying to add layers, to thicken the texture.
- Real emotion comes from inside the reader. You’re unaware that the author has been trying to make you feel something; in fact, you wonder whether the author is really aware of how sad, funny or inspiring this passage is. Artificial is when you feel your arm being twisted.
- When I’m writing a book I work from ten till six every day in a small office near my house. I never write less than a thousand words a day. Writer’s block is God’s way of telling you to shut up. More people should have it…
- Write about what you don’t know. Research, invent. Write about people of other ages, sexes, nationalities and periods in history. Then find a book you think is similar to yours. Write to the author care of the publisher and find out who their agent is. Good luck.
Sebastien Faulks (b. April 20): “Everything I know about structure I learned from classical music.”
20 AprSebastian Faulks, born 20 April 1953, is a British novelist, journalist, and broadcaster. He is best known for his historical novels including The Girl at the Lion d’Or, Birdsong, and Charlotte Gray. He has also published a James Bond sequel, Devil May Care. He is a team captain on BBC Radio 4 literary quiz The Write Stuff.
Seven quotes on writing:
- I start with the theme and setting, then a rough narrative arc including half a dozen big moments, like the supports in a river over which the bridge spans. Then the people are given to you because they’re the ones capable of acting out what’s required of the action to exemplify the theme.
- In the period of composition you have to be exceptionally open. Anything might feed in. The trick is in knowing the difference between a disposable thought and a robust idea. You have to live in a rather vulnerable, open state, while at the same time making hard decisions.
- The words themselves are the beginning and end. Too many adverbs is a bad sign. Even when the style is apparently plain it is so for a reason. And within plainness there are a hundred choices for each sentence in rhythm and syntax and of course within each word. Think of Hemingway.
- Almost everything I know about structure I learned from classical music. Most of what I know about narrative I took from cinema. I also think of oil painting quite a lot, particularly when I am trying to add layers, to thicken the texture.
- Real emotion comes from inside the reader. You’re unaware that the author has been trying to make you feel something; in fact, you wonder whether the author is really aware of how sad, funny or inspiring this passage is. Artificial is when you feel your arm being twisted.
- When I’m writing a book I work from ten till six every day in a small office near my house. I never write less than a thousand words a day. Writer’s block is God’s way of telling you to shut up. More people should have it…
- Write about what you don’t know. Research, invent. Write about people of other ages, sexes, nationalities and periods in history. Then find a book you think is similar to yours. Write to the author care of the publisher and find out who their agent is. Good luck.
Joan Miro (b. April 20): “I try to apply colors like words that shape poems.”
20 Apr“I try to apply colors like words that shape poems, like notes that shape music.” ~ Joan Miro, b. 20 April 1893
Sebastien Faulks (b. April 20): “Everything I know about structure I learned from classical music.”
20 AprSebastian Faulks, born 20 April 1953, is a British novelist, journalist, and broadcaster. He is best known for his historical novels including The Girl at the Lion d’Or, Birdsong, and Charlotte Gray. He has also published a James Bond sequel, Devil May Care. He is a team captain on BBC Radio 4 literary quiz The Write Stuff.
Seven quotes on writing:
- I start with the theme and setting, then a rough narrative arc including half a dozen big moments, like the supports in a river over which the bridge spans. Then the people are given to you because they’re the ones capable of acting out what’s required of the action to exemplify the theme.
- In the period of composition you have to be exceptionally open. Anything might feed in. The trick is in knowing the difference between a disposable thought and a robust idea. You have to live in a rather vulnerable, open state, while at the same time making hard decisions.
- The words themselves are the beginning and end. Too many adverbs is a bad sign. Even when the style is apparently plain it is so for a reason. And within plainness there are a hundred choices for each sentence in rhythm and syntax and of course within each word. Think of Hemingway.
- Almost everything I know about structure I learned from classical music. Most of what I know about narrative I took from cinema. I also think of oil painting quite a lot, particularly when I am trying to add layers, to thicken the texture.
- Real emotion comes from inside the reader. You’re unaware that the author has been trying to make you feel something; in fact, you wonder whether the author is really aware of how sad, funny or inspiring this passage is. Artificial is when you feel your arm being twisted.
- When I’m writing a book I work from ten till six every day in a small office near my house. I never write less than a thousand words a day. Writer’s block is God’s way of telling you to shut up. More people should have it…
- Write about what you don’t know. Research, invent. Write about people of other ages, sexes, nationalities and periods in history. Then find a book you think is similar to yours. Write to the author care of the publisher and find out who their agent is. Good luck.
Joan Miro (b. April 20): “I try to apply colors like words that shape poems.”
20 Apr“I try to apply colors like words that shape poems, like notes that shape music.” ~ Joan Miro, b. 20 April 1893
http://pinterest.com/pin/39406565462039303/
Sebastien Faulks (b. April 20): “Everything I know about structure I learned from classical music.”
20 AprSebastian Faulks, born 20 April 1953, is a British novelist, journalist, and broadcaster. He is best known for his historical novels including The Girl at the Lion d’Or, Birdsong, and Charlotte Gray. He has also published a James Bond sequel, Devil May Care. He is a team captain on BBC Radio 4 literary quiz The Write Stuff.
Seven quotes on writing:
- I start with the theme and setting, then a rough narrative arc including half a dozen big moments, like the supports in a river over which the bridge spans. Then the people are given to you because they’re the ones capable of acting out what’s required of the action to exemplify the theme.
- In the period of composition you have to be exceptionally open. Anything might feed in. The trick is in knowing the difference between a disposable thought and a robust idea. You have to live in a rather vulnerable, open state, while at the same time making hard decisions.
- The words themselves are the beginning and end. Too many adverbs is a bad sign. Even when the style is apparently plain it is so for a reason. And within plainness there are a hundred choices for each sentence in rhythm and syntax and of course within each word. Think of Hemingway.
- Almost everything I know about structure I learned from classical music. Most of what I know about narrative I took from cinema. I also think of oil painting quite a lot, particularly when I am trying to add layers, to thicken the texture.
- Real emotion comes from inside the reader. You’re unaware that the author has been trying to make you feel something; in fact, you wonder whether the author is really aware of how sad, funny or inspiring this passage is. Artificial is when you feel your arm being twisted.
- When I’m writing a book I work from ten till six every day in a small office near my house. I never write less than a thousand words a day. Writer’s block is God’s way of telling you to shut up. More people should have it…
- Write about what you don’t know. Research, invent. Write about people of other ages, sexes, nationalities and periods in history. Then find a book you think is similar to yours. Write to the author care of the publisher and find out who their agent is. Good luck.
Sebastien Faulks (b. Apr 20): “Everything I know about structure I learned from classical music.”
20 AprSebastian Faulks, born 20 April 1953, is a British novelist, journalist, and broadcaster. He is best known for his historical novels including The Girl at the Lion d’Or, Birdsong, and Charlotte Gray. He has also published a James Bond sequel, Devil May Care. He is a team captain on BBC Radio 4 literary quiz The Write Stuff.
Seven quotes on writing:
- The words themselves are the beginning and end. Even when the style is apparently plain it is so for a reason. And within plainness there are a hundred choices for each sentence in rhythm and syntax and of course within each word. Think of Hemingway.
- Ideally, I start with the theme and setting, then a rough narrative arc including half a dozen big moments which are like the supports in a river over which the bridge spans; then the people are given to you because they are the ones capable of acting out what is required of the action to exemplify the theme.
- In the period of composition you have to be exceptionally open. Anything might feed in. The knack is knowing the difference between a disposable thought and a robust idea. You have to live in a rather vulnerable, open state, while at the same time making hard decisions. You are a like a valve that switches between active and passive all the time. This is what takes it out of you a bit.
- Almost everything I know about structure I learned from classical music. Most of what I know about narrative I took from cinema. I also think of oil painting quite a lot, particularly when I am trying to add layers, to thicken the texture.
- When I am writing a book I work from ten till six every day in a small office near my house. I never write less than a thousand words a day. Writer’s block is God’s way of telling you to shut up. More people should have it…
- Real emotion comes from inside the reader. You are unaware that the author has been trying to make you feel something; in fact, you wonder whether the author is really aware of how sad, funny or inspiring this passage is. Artificial is when you feel your arm being twisted. Too many adverbs is a bad sign.
- Write about what you DON’T know. Research, invent. Write about people of other ages, sexes, nationalities and periods in history. Then find a book you think is similar to yours. Write to the author care of the publisher and find out who their agent is. Good luck.
Joan Miro (b. Apr 20): “I try to apply colors like words that shape poems.”
20 Apr“I try to apply colors like words that shape poems, like notes that shape music.” ~ Joan Miro, b. 20 April 1893
http://pinterest.com/pin/39406565462039303/
Joan Miro, b. Apr 20: “I try to apply colors like words that shape poems.”
20 Apr“I try to apply colors like words that shape poems, like notes that shape music.” ~ Joan Miro, b. 20 April 1893
http://pinterest.com/pin/39406565462039303/