“A really good style comes only when a man has become as good as he can be. Style is character. A good style cannot come from a bad, undisciplined character… I think good style is a matter of rendering out of oneself all the cupidities, all the cripplings, all the vague desires. And then I think one has to develop one’s physical grace.”
~ Norman Mailer, b. 31 January 1923
“Life is always a tightrope or a feather bed. Give me the tightrope.”
~ Edith Wharton, b. 24 January 1862
Shelby Foote (born 17 November 1916, died 27 June 2005) was an American historian and novelist who wrote The Civil War: A Narrative, a massive, three-volume history of the war.
Seven Quotes
Chinua Achebe (born 16 November 1930, died 21 March 2013) was a Nigerian novelist, poet, professor, and critic. He was best known for his first novel and magnum opus, Things Fall Apart, which sold more than 8 million copies around the world, and was translated into 50 languages. Achebe was the most translated African writer of all time. Nelson Mandela referred to Achebe as a writer ‘in whose company the prison walls fell down’. The recipient of more than 30 honorary degrees, he was awarded the Man Booker International Prize, the Commonwealth Poetry Prize, an Honorary Fellowship of the American Academy of Arts and Letters, and the Nigerian National Order of Merit.
Quotes on writing:
Roland Barthes (born 12 November 1915, died 26 March 1980) was a French literary theorist, philosopher, linguist and critic who influenced the development of schools of theory including structuralism, semiotics, social theory, anthropology and post-structuralism.
Quotes on language:
Neil Gaiman, born 10 November 1960, is an English author who writes short stories, novels, comic books, graphic novels and films. His novels include Stardust, American Gods, Coraline, and The Graveyard Book.
Quotes on writing
Janet Fitch, born 9 November 1955, is best known for her novel, White Oleander. She is a faculty member in the Master of Professional Writing Program at the University of Southern California, where she teaches fiction.
Here are her Top 10 writing tips:
1. Write the sentence, not just the story
Long ago I got a rejection from the editor of the Santa Monica Review, who said: “Good enough story, but what’s unique about your sentences?” That was the best advice I ever got. Learn to look at your sentences, play with them, make sure there’s music, lots of edges and corners to the sounds. Read your work aloud. Read poetry aloud and try to heighten in every way your sensitivity to the sound and rhythm and shape of sentences. The music of words. I like Dylan Thomas best for this–the Ballad of the Long-Legged Bait. I also like Sexton, Eliot, and Brodsky for the poets, and Durrell and Les Plesko for prose. A terrific exercise is to take a paragraph of someone’s writing who has a really strong style, and using their structure, substitute your own words for theirs, and see how they achieved their effects.
2. Pick a better verb
Most people use twenty verbs to describe everything from a run in their stocking to the explosion of an atomic bomb. You know the ones: Was, did, had, made, went, looked… One-size-fits-all looks like crap on anyone. Sew yourself a custom made suit. Pick a better verb. Challenge all those verbs to really lift some weight for you.
3. Kill the cliché
When you’re writing, anything you’ve ever heard or read before is a cliché. They can be combinations of words: Cold sweat. Fire-engine red, or phrases: on the same page, level playing field, or metaphors: big as a house. So quiet you could hear a pin drop. Sometimes things themselves are clichés: fuzzy dice, pink flamingo lawn ornaments, long blonde hair. Just keep asking yourself, “Honestly, have I ever seen this before?” Even if Shakespeare wrote it, or Virginia Woolf, it’s a cliché. You’re a writer and you have to invent it from scratch, all by yourself. That’s why writing is a lot of work, and demands unflinching honesty.
4. Variety is the key
Most people write the same sentence over and over again. The same number of words–say, 8-10, or 10-12. The same sentence structure. Try to become stretchy–if you generally write 8 words, throw a 20 word sentence in there, and a few three-word shorties. If you’re generally a 20 word writer, make sure you throw in some threes, fivers and sevens, just to keep the reader from going crosseyed.
5. Explore sentences using dependent clauses
A dependent clause (a sentence fragment set off by commas, dontcha know) helps you explore your story by moving you deeper into the sentence. It allows you to stop and think harder about what you’ve already written. Often the story you’re looking for is inside the sentence. The dependent clause helps you uncover it.
6. Use the landscape
Always tell us where we are. And don’t just tell us where something is, make it pay off. Use description of landscape to help you establish the emotional tone of the scene. Keep notes of how other authors establish mood and foreshadow events by describing the world around the character. Look at the openings of Fitzgerald stories, and Graham Greene, they’re great at this.
7. Smarten up your protagonist
Your protagonist is your reader’s portal into the story. The more observant he or she can be, the more vivid will be the world you’re creating. They don’t have to be super-educated, they just have to be mentally active. Keep them looking, thinking, wondering, remembering.
8. Learn to write dialogue
This involves more than I can discuss here, but do it. Read the writers of great prose dialogue–people like Robert Stone and Joan Didion. Compression, saying as little as possible, making everything carry much more than is actually said. Conflict. Dialogue as part of an ongoing world, not just voices in a dark room. Never say the obvious. Skip the meet and greet.
9. Write in scenes
What is a scene? a) A scene starts and ends in one place at one time (the Aristotelian unities of time and place–this stuff goes waaaayyyy back). b) A scene starts in one place emotionally and ends in another place emotionally. Starts angry, ends embarrassed. Starts lovestruck, ends disgusted. c) Something happens in a scene, whereby the character cannot go back to the way things were before. Make sure to finish a scene before you go on to the next. Make something happen.
10. Torture your protagonist
The writer is both a sadist and a masochist. We create people we love, and then we torture them. The more we love them, and the more cleverly we torture them along the lines of their greatest vulnerability and fear, the better the story. Sometimes we try to protect them from getting booboos that are too big. Don’t. This is your protagonist, not your kid.
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Kazuo Ishiguro, born 8 November 1954, is a Japanese-born British novelist. He’s one of the most celebrated contemporary fiction authors in the English-speaking world. He’s been nominated for the Man Booker Prize four times, and won in 1989 for The Remains of the Day.
Quotes on writing
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James Jones (born 6 November 1921, died 9 May 1977) was an American author who won the 1952 National Book Award for his first published novel, From Here to Eternity, adapted for film and made into a television series a generation later.
Quotes on writing:
Yiyun Li, born 4 November 1972, is a Chinese American writer whose works include the short story collections A Thousand Years of Good Prayers, Gold Boy, Emerald Girl, and the novel The Vagrants.
Quotes on writing:
Sextile 